A gym tunic (aka gym slip) like this costs from ten shillings and sixpence, and is available in brown or navy, other colours to order.
For those who have recently joined in, we are reading Oxenham’s Abbey Girl series in reading order, which is not the same as publication order. Today, though I’ll digress to explore some themes that are found in all of EJO’s books, but especially the Abbey Girls series: these include Hair, Gymmies and Tunics, Names, the meaning of the word “girl,” and more. Let’s start with . . . .
Parental Morbidity & Mortality
It’s tough being an Abbey Girl parent, especially for mothers! As with other novels that deal with young people (think of Rebecca of Sunnybrook Farm, Heidi, Pollyanna, Anne Shirley of Green Gables, Mary Lennox of The Secret Garden, etc.), a child has to be detached from home and the parental units in order [Read more…]
The Abbey Girls Win Through
A16_Queen of the Abbey Girls takes place in May to November of 1922 and was published by Collins in 1926. It is a strong story with a lot of dancing in it. This installment features Jen Robins—her crowning as the Brown or Beech Queen, her romance, and her presentation to the reader as one of the real spirits of the Abbey. Throughout the rest of the series Jen will retain her bright and merry spirit and she will increasingly become a wise counselor. Queen of the Abbey Girls also features some of the dark side of Joy Shirley: her selfishness and her inability to recognize other people’s emotions. This is another of the series that addresses Faith and God.
Published in 1925, A15_The Abbey Girls in Town begins in December 1921, Abbey Time, and concludes in May of 1922. It is the third novel in the Mary-Dorothy and Biddy Devine story arc and one that mostly resolves Mary’s “problem”—that of both unhealthy dreaminess and an over-idealization of Joy Shirley. After this installment, Biddy largely disappears, though she will get her own novel in A21_Biddy’s Secret. There are two major dance episodes in it: one at the Chelsea Polytechnic Christmas dance school, where we meet again with Cecil Sharp (“the Prophet”) and his teachers, and one of a children’s dance performance.
Several weeks ago I wrote in general about the horrors of the Collins abridgments—here with A14_The Abbey Girls Again, we come face to face with them! The abridged version removes not only many of the folk-dance sequences, but a great deal of character development. The original version is much more coherent, if wordier. In this episode, folk dancing appears as having spiritual, moral, physical, and psychologically redemptive powers. 
We interrupt our regularly scheduled programming to announce that 15 years ago (!) I compiled and edited a book of modern English country dances set to tunes by the blind Irish Harper, Turlough O’Carolan. Since then, the repertoire has expanded. One of my lockdown projects has been to publish the new ones online, and so I am happy to announce that 19 new English country dances (and one strathspey—I love the idea of having a modern Scottish dance set to a tune by an 18th century Irish composer on an ECD-oriented site!) are now available on my website: check out the page titled “Carolan” Both dance instructions and sheet music are available. 
Published in 1927, A12_Jen of the Abbey School takes place immediately before and after A11_The Abbey Girls Go Back to School. Ideally you should read the first half of A11, then the first half of A12, then the second half of A11, wrapping it up with the second half of A12. Jen of the Abbey School takes place from June to December 1920, in Abbey Time. It is an important book for folk dancers as it paints a clear picture of the “folk spirit” as well as incorporating a thrilling folk dance competition. It is also an important book in the Abbey Girl world as it introduces